Maja Ratkje has performed globally with her fascinating sonic palette. Blurring the boundaries between sound and music, with the only distinction being the human ear as audience and the conscious creation and placement of sounds, Maja Ratkje challenges the listener in every possible way.
“Anyone who has seen or heard Ratkje perform live will know what a superb musician she is, and one who can genuinely be said to be extending the expressive range of the voice through technical and technological means…. Her work is celebratory and inclusive, an energising rallying call to those who are curious enough to peek out from behind the curtain of mainstream mediocrity.” The Wire
Maja Solveig Kjelstrup Ratkje is active as a composer and performer and finished composition studies at the Norwegian State Academy of Music in Oslo in 2000. Her music is performed worldwide by performers such as Klangforum Wien, Oslo Sinfonietta, The Norwegian Radio Orchestra, Fretwork, TM+, Cikada and Vertavo string quartets, Quatuor Renoir, Ticom, crashEnsemble, Pearls for Swine Experience, Torben Snekkestad, Marianne Beate Kielland, SPUNK, Frode Haltli, POING and many more. Portrait concerts with her music has been heard in Toronto and Vienna, she has been composer in residence at festivals like Other Minds in San Francisco, Nordland Music Festival in Bodø and Avanti! Summer Festival in Finland.
Ratkje is active as a singer/voice user and electronics player as well as studio engineer, as a soloist or in groups such as SPUNK or Agrare. Other collaborations are with Jaap Blonk, Joëlle Léandre, Ikue Mori, Zeena Parkins, Stian Westerhus, Stephen O’Malley, Lasse Marhaug, POING and the metal band Trinacria. Ratkje has performed her own music for films, dance and theatre, installations, and numerous other projects. She has made music for a radio play by Elfriede Jelinek, and in 2003, she played a leading part in her own opera, based on the texts from the Nag Hammadi Library.